Sane Trilogy, and we learned all the tricks for the Unreal engine and how to ensure the best presentation of our art through our work in bringing Spyro Reignited to the Switch. Sane Trilogy and Spyro Reignited to the Switch? Well, this actually represents a culmination of the work on those two games – for one, we learned the importance of preserving the precision gameplay necessary to a Crash Bandicoot experience by working on the port of Crash N. How this compares to the work that the team did bringing Crash N. To ensure that the game looked and performed at its best, the team had to make adjustments to the following areas: texture size, static model polys, skeletal mesh bones, shadow map density, light map resolution, particle systems and textures. Regarding the Switch, there are several things that needed to be done due to its unique nature. Lou Studdert (LS): Great question! Bringing a game to a new console really depends on the amazing work that our artists and engineers do to customize our game for the specific hardware. Nintendo World Report (NWR): What was the process of taking Crash 4 on PS4/Xbox One and making it perform well and look nice on Switch? Were there any processes or methods that made the porting process easier? How did it compare/contrast to how you worked on porting recent games to Nintendo platforms? Thanks to Activision and Toys for Bob for the interview opportunity! If you're craving more Crash content, you can check out our review. He talked to us about the challenges of porting the game to Switch and even addressed some of the response to the original launch's difficulty. Before it came out, we had the chance to send over some questions to developer Toys For Bob's Creative Producer Lou Studdert. It marks the first brand new adventure for the bandicoot on a Nintendo system in a decade. Last week, Crash Bandicoot 4: It's About Time came to Nintendo Switch.

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